CONVOCATORIA PUBLICA PARA

SELECCIÓN DE INSTRUMENTISTAS 2008
 

ANEXO I La selección de los candidatos se realizará mediante las siguientes pruebas, de carácter eliminatorio:

FAGOT 2º / CONTRAFAGOT

PRIMERA PARTE: Interpretación "tras cortina" de las obras que se indican a continuación:

- W.A. Mozart: Concierto para Fagot en Sib mayor, KV 186e (191) (Completo sin cadencias)
- Solos de Fagot 2º:

- M. Ravel: Concierto de piano para la mano izquierda en Re mayor
- H. Berlioz: Sinfonía fantástica Op. 14
- G. Bizet: Carmen (3º Acto) partes de fagot 1º y fagot 2º
- J. Brahms: Variaciones – partes de fagot 2º
- J. Brahms: Concierto para violín Op. 77
- W.A. Mozart: Bodas de Figaro

Nota: Todos estos fragmentos se encuentran en el libro “Orchester Probespiel” Fagott / Kontrafagott Edición Peters

SEGUNDA PARTE: Lectura de repertorio de orquesta de entre los siguientes:

- W.A. Mozart: Concierto para fagot , 2º movimiento. (Con el contrafagot)

- Todos los fragmentos siguientes se refieren a la parte de Contrafagot:

- L.v. Beethoven: Sinfonía nº 5
- J. Brahms: Sinfonía nº 1
- J. Brahms: Sinfonía nº 3
- M. Ravel: "Ma mère l´oye"
- M. Ravel: Concierto para piano
- R. Strauss: Salome
- G. Verdi: Don Carlo

Nota: Todos estos fragmentos se encuentran en el libro “Orchester Probespiel” Fagott / Kontrafagott, Edición Peters

TERCERA PARTE:

Lectura a primera vista de una o más obras o fragmentos propuestos por el Tribunal.

AYUDA DE SOLISTA DE VIOLA

PRIMERA PARTE: Interpretación "tras cortina" de las obras que se indican a continuación:

A) Fr. Schubert – Sonata “Arpeggione”, 1º movimiento (sin repetición)

B) J. S. Bach – Concierto de Brandenburgo nº 6, 1º movimiento, parte vla. I, hasta compás 46. (IMC – vol. III)

C) Fr. Schubert – Sinfonía nº 4 “Trágica”, 4º movimiento, compases 85 – 113 y 373 – 401 (IMC-vol. III, y Orchester Probespiel – ed. Schott)

SEGUNDA PARTE: Lectura de repertorio de orquesta de entre los siguientes:

1. - B.Bartok – Concierto para viola, 1º movimiento
    

2. - 3 solos orquestales (uno de cada grupo) escogidos libremente por el candidato:

GRUPO A:

- C. M. von Weber – Der Freischütz – Romanze und Arie (acto 3º, nº 13) (Orchester  Probespiel)
- A. Adam – Giselle – Pas de Deux (acto 2º, nº 21) (Orchester Probespiel)

GRUPO B:

- M. Ravel – Ma Mère l´Oye , 5º movimiento (IMC – vol. V) 
- Z. Kodaly – Hary Janos Suite , 3º movimiento, inicio (IMC – vol. V)
- S. Prokofiev – Romeo y Julietta, suite nº 2, 5º movimiento . (IMC – vol. IV)
- G. Puccini – Manon Lescaut – Intermezzo (acto 3º) (Orchester Probespiel)

GRUPO C:

- A. Ginastera – Variaciones concertantes, 5ª variación
- A. Berg – Concierto para violin, 2º movimiento (compases 80 – 90)
- B. Martinu – Les Fresques de Piero della Francesca, 2º movimiento (2 compases antes 18 – 2 compases después 19)
- B.Bartok – 2º Concierto para violín, 2º movimiento, desde 122 hasta final
- R. Strauss – Arabella, acto 1º (antes nº 158 – antes nº 160) (Orchester Probespiel)

Algunos fragmentos de esta segunda parte se encuentran en:

· Orchester Probelpiel – ed. Schott
· Orchestral Excerpts – International Music Company (IMC)

TERCERA PARTE:

A) Solos orquestales:

1. L. Delibes – Coppelia – La paix (actoº 3, nº 7) (Orchester Probespiel)
2. R. Strauss – Don Quijote op.35 (introducción de Sancho Panza, variaciones I y III) (Orchester Probespiel)
3. Berg – Lulu , acto 2º, compases 287 – 304.( Orchester Probespiel)

Todos los fragmentos anteriores se encuentran en el libro “Orchester Probespiel” – edición Shott; parte de Don Quijote también en Richard Strauss Orchester Studien, ed. Peters

B) Lectura a primera vista de una o más obras o fragmentos propuestos por el Tribunal.

VIOLÍN TUTTI

PRIMERA PARTE: Interpretación "tras cortina" de las obras que se indican a continuación:

a) Un concierto con cadencia a elegir de entre los siguientes:

- W.A. Mozart: Concierto nº 3 en Sol mayor KV. 216
- W.A. Mozart: Concierto nº 4 en Re mayor KV. 218
- W.A. Mozart: Concierto nº 5 en La mayor KV. 219

b) Un movimiento lento y otro rápido, de libre elección, de una Sonata o Partita de J.S. Bach

SEGUNDA PARTE: Lectura de repertorio de orquesta de entre los siguientes:

Todos los fragmentos siguientes se refieren a la parte de Violín 1º:

- W.A. Mozart: Sinfonía nº 39 KV. 543. (IV movimiento compases 1-42)[Pag- 36-38]
- R. Schumann: Sinfonía nº 2. (II movto. compases 1-48, 80-90 y 361-397)[Pag. 53-54]
- R. Strauss: Don Juan   ( Compases 1 a 62) [Pag. 61,62 y 63]
- B. Bartók: Konzert für Orchester. 5 Staz:Finale [ Pag. 7, 8, 9 y 10]
- F. Mendelssohn Bartholdy: Scherzo de Ein Sommernachtstraum, Op. 61 nr. 1,[ Pag. 34, 35 y 36]
- Johann Strauss: Die Fledermaus. Ouvertüre [pag 58 hasta la 61]

Todos los fragmentos anteriores se encuentran en el libro “Orchester Probespiel” Violín Volumen II (Violín 1º Tutti y Violín 2º) de Editorial Schott, en las páginas que se indican.

TERCERA PARTE:

Lectura a primera vista de una o más obras o fragmentos propuestos por el Tribunal.

 NOTAS:

* La afinación será a 442 hz.

* El orden de las actuaciones de los aspirantes en el desarrollo de todas las fases de las pruebas se realizará por riguroso orden alfabético de apellidos y su inicio se determinará por sorteo previo de la letra que ha de marcar el comienzo.

* No se facilitará copia de las obras citadas en las presentes bases.

OPEN AUDITION FOR THE SELECTION OF

INSTRUMENTALISTS 2008

In order to cover the vacancies in the Real Orquesta Sinfónica de Sevilla, an open audition has been called for the following positions, according to the labour category:

WINDS AND PERCUSSION FIRST PARTS

STRING SOLOISTS ASISTANT

SECOND PARTS

These positions will be chosen based on the following criteria:

1/ Orquesta de Sevilla, S. A. (OSSA),  managing agency of the Real Orquesta Sinfónica de Sevilla (the orchestra) issues the present Public Call, in order to cover the instrumentalist vacancies mentioned above, for this,  OSSA will be holding objective auditions during June and July. These auditions will be held in Sevilla, in the ROSS Rehearsal hall of the Maestranza Theater, C/ Temprado nº 6.

2/ OSSA will offer a work contract to those instrumentalists who will be chosen.  This contract will comply with Royal Decree number 1435/85 dated August 1 which regulates the specific labour laws for public show artists. 

Those selected candidates will be included in the orchestra’s time-table as of the 8^th of September  of the current year.

The offered contract will end on July 31st, 2009. This first contract will be renewable.

3/ The annual gross income for the offered post in the category of string soloists assistant  (including the diverse salary concepts and distributed in 14 payments per year) is: 37.247,26 €

The annual gross income for the offered post in the category of winds and percussion first parts (including the diverse salary concepts and distributed in 14 payments per year) is : 36.031,65 €

The annual gross income for the offered post in the category of second parts (including the diverse salary concepts and distributed in 14 payments per year) is : 35.234,85 €
These amounts will have an annual increase of 1.005,60.- €, for maintaining personal instruments.

4/ The incorporation of the selected musicians will not be consolidated until a trial period of two months after their joining the orchestra will be completed.

5/ According to the valid Labour Agreement of OSSA , contracts will be subjected to the pact of symphonic dedication.

6/ Travel and hotel expenses incurred in relation with  the auditions’ participation  will be paid by the candidate. 

7/ The posts offered could be declared void.

8/ All those over 18 years of age (the day of the audition), and who do not exceed the legal age that enables a social security retirement pension, those with no physical defect or illness that would hinder his/her performance and those musicians who have never been dismissed for disciplinary reasons in a similar activity (either labour wise or as a civil servant) are eligible to participate in this audition.

All those disabled who are not affected by the above mentioned paragraph, will be admitted to participate in the audition with the same conditions as the rest of participants.

All those disabled will comply with the Law 13/1982 of April 7. For this purpose, they will have to present together with the Appendix II, the documents that prove their disability and its grade.

The falsification of any information will automatically cancel the contract.

9/ The candidates may apply to the auditions by filling in the official request on APPENDIX II they will also have to attach to the application form a copy of their Curriculum vitae, the accreditation of the degrees held and any proof of artistic or professional merits they may consider.

10/ The deadline for the presentation of the application forms  will be the 3^rd of June 2008. All application forms should be sent:

By e-mail: The application form that can be found on the Orchestra’s web page: www.rossevilla.com should be sent duly filled-in.

By post to: Real Orquesta Sinfónica de Sevilla, Paseo Cristobal Colón nº 22; 41001 Sevilla (Spain)

For applications sent by post, we will consider the date indicated in the postmark stamp .

With the same limitations, application forms will be accepted by fax to the following number: 95-456-1888 (within Spain) or +34-954561888 (for those calling from abroad).

11/ OSSA will review the application forms received on due time and form on a previous selection process, after which the list of admitted participants to the auditions will be published on the web page of the Orchestra: www.rossevilla.com and on the ROSS notice boards located in the Maestranza Theater.

12/ The selection committee will be formed according to the valid Labour Agreement of the OSSA at the time of the audition.

13/ The selection committee may, throughout the audition, ask the candidates to identify themselves, alter the order of the exercises,  interrupt the audition at any moment or propose a new audition as well as ask any necessary questions.

14/ The decisions of the selection committee will be inappealable.

15/ The audition of the candidates, which can be held in phases, some eliminatory and a final phase, will be based on the specifications mentioned in APPENDIX I.

16/ There will be an accompanying pianist available for the applicants that should need one, at the time of the audition.

17/ The candidates should come to the audition with the same instruments that will be used in the ORCHESTRA in the case that he/she fills the post.

18/ Tardiness or failure to appear at any of the audition phases will be understood as an irreversible resignation.

19/ The musicians chosen have to satisfactorily pass both medical and psycho-technical tests in order to become members of the Orchestra.

20/ In the case of the selected persons are coming from outside of the European Union, or from a country of the European Union with work accessibility restriction, their contract will depend on the obtaining of their residency permit and work permit for Spain in a time limit of half of the contract period. In case of previous possession of the residency and work permit, the applicants should submit these documents.

Seville, April 2008

APPENDIX I  Candidates will be selected to participate in the next part, once they have successfully played the previous one (all parts are eliminatory). Here is the list of works:

2^ND BASSOON/CONTRABASSOON

FIRST PART: Interpretation "behind curtain" of the following compositions:

- W.A. Mozart: Concerto for bassoon in  Sib mayor, KV 186e (191) (Complete without cadenza)

- 2nd bassoon solos:

- M. Ravel: Piano concerto for left hand in Re mayor
- H. Berlioz: Fantastic symphony  Op. 14
- G. Bizet: Carmen (3rd Act)  1st bassoon and 2nd bassoon part
- J. Brahms: Variations – 2nd bassoon parts
- J. Brahms: Violin concerto  Op. 77
- W.A. Mozart: Figaro’s wedding

PLEASE TAKE NOTE: All these excerpts can be found in the book “Orchester Probespiel” Bassoon/contrabassoon Peters’ edition.

SECOND PART: Reading from the following orchestra repertory

- W.A. Mozart: Concerto for bassoon , 2º movement. (with the contrabassoon)

- All the following excerpts are referred to the contrabassoon part:

- L.v. Beethoven: 5^th Symphony
- J. Brahms: 1st Symphony  
- J. Brahms: 3^rd Symphony  
- M. Ravel: "My mother l´oye"
- M. Ravel: Piano concerto
- R. Strauss: Salome
- G. Verdi: Don Carlo

PLEASE TAKE NOTE: All these excerpts can be found in the book “Orchester Probespiel” Bassoon/contrabassoon Peters’ edition.

THIRD PART: Sight-reading of one or more works or excerpts proposed by the selection committee.

VIOLA SOLOIST ASSISTANT

FIRST PART: Interpretation "behind curtain" of the following compositions:

A) Fr. Schubert – Sonata “Arpeggione”, 1^st movement (without repetition)

B) J. S. Bach – 6th Brandenburg Concerto, 1^st movement, viola part I, until  compass 46. (IMC – vol. III)

C) Fr. Schubert – Symphony  nº4 “Trágica”, 4th movement, compasses 85 – 113 y 373 – 401 (IMC-vol. III, y Orchester Probespiel – ed. Schott)

SECOND PART: Reading from the following orchestra repertory

1. - B.Bartok –  Viola concerto, 1st movement

2. - 3 orchestras’ solos  (one of each group) freely chosen by the candidate:

GROUP A:

- C. M. von Weber – Der Freischütz – Romanze und Arie (act 3, nº13) (Orchester  Probespiel)
- A. Adam – Giselle – Pas de Deux (act 2, nº21) (Orchester Probespiel)

GROUP B:

- M. Ravel – My mother l´Oye , 5th movement (IMC – vol. V)
- Z. Kodaly – Hary Janos Suite , 3rd movement, initiation (IMC – vol. V)
- S. Prokofiev – Romeo y Julietta, suite nº2, 5th movement . (IMC – vol. IV)
- G. Puccini – Manon Lescaut – Intermezzo (act 3) (Orchester Probespiel)

GROUP C:

- A. Ginastera – Concerto variations, 5th variation
- A. Berg – Violin concerto, 2nd movement (compasses 80 – 90)
- B. Martinu – Les Fresques de Piero della Francesca, 2nd movement (2 compasses   before 18 – 2 compasses after 19)
- B.Bartok – 2nd Concerto for violin, 2nd movement, from 122 to the end
- R. Strauss – Arabella, act 1 (before nº158 – before nº160) (Orchester Probespiel)

 

Some excerpts from this second part will be found in:

·Orchester Probelpiel – ed. Schott
·Orchestral Excerpts – International Music Company (IMC)

THIRD PART:

A) Orchestral solos:

1. L. Delibes – Coppelia – La paix (act 3, nº7) (Orchester Probespiel)
2. R. Strauss – Don Quijote op.35 (introduction of Sancho Pansa, variations I and III) (Orchester Probespiel)
3. Berg – Lulu , act 2, compasses 287 – 304.( Orchester Probespiel)

All the above excerpts will be found in the  “Orchester Probespiel” – edición Shott; the Don Quijote part also in the Richard Strauss Orchester Studien, ed. Peters.

B) Sight-reading of one or more works or excerpts proposed by the selection committee.