This position will be chosen based on the following
criteria:
1/
Orquesta de Sevilla, S. A. (OSSA), managing agency of
the Real Orquesta Sinfónica de Sevilla (the orchestra)
issues the present Public Call, in order to cover the
instrumentalist vacancy mentioned above, for this, OSSA
will be holding an objective audition in the month of
September. This audition will be held in Seville, in
Teatro de la Maestranza (Temprado street nº 6,
Maestranza Theater).
2/
OSSA will offer a work contract to those
instrumentalists who will be chosen. This contract will
comply with Royal Decree number 1435/85 dated August 1
which regulates the specific labour laws for public
show artists.
Those selected candidates will join the orchestra
discipline as of the 3rd of January, 2010.
The
offered contract will end on July 31st, 2010. This first
contract could be extended.
3/
The annual gross income for the offered posts in the
category of wind and percussion first parts (including
the diverse salary concepts and distributed in 14
payments per year) is : 38.220.,84.-
€.
This amount will have an annual increase of 1.030,80.-
€,
for maintaining personal instruments.
4/
The incorporation of the selected musicians will not be
consolidated until a trial period of two months after
their joining the orchestra will be completed.
5/
According to the valid Labour Agreement of OSSA ,
contracts will be subjected to the pact of symphonic
dedication.
6/
Travel and hotel expenses to participate in the
auditions will be paid by the candidate.
7/
The posts offered could be declared void.
8/
All those over 18 years of age (the day of the
audition), and who do not exceed the legal age that
enables a social security retirement pension, those with
no physical defect or illness that would hinder his/her
performance and those musicians who have never been
dismissed for disciplinary reasons in a similar activity
(either labour wise or as a civil servant) are eligible
to participate in this audition.
All
those disabled who are not affected by the above
mentioned paragraph, will be admitted to participate in
the audition with the same conditions as the rest of
participants.
All
those disabled will comply with the Law 13/1982 of April
7. For this purpose, they will have to present together
with the Anexo II, the documents that prove their
disability and its grade.
The
falsification of any information will automatically
cancel the contract.
9/
The candidates may apply to the auditions by filling out
the official request on APPENDIX II. Also, the
candidates will have to send a copy of their CV or
résumé, the accreditation of the degrees held and any
proof of artistic or professional merits considered
necessary.
10/
The deadline for the presentation of the application
forms will be on 13h September, 2009.
All application forms should be sent:
By
e-mail filling out and sending the application form that
can be found on the web page of the Orchestra at :
www.rossevilla.com
By post to: Real Orquesta Sinfónica de Sevilla, Temprado
nº 6; 41001 Sevilla (Spain)
For
applications sent by post, the date of arrival will be
considered to be that of the date on the stamped
postmark .
With the same limitations, application forms will be
accepted by fax to the following number: +34-954561888.
11/
OSSA will review the application forms received on
due time and form on a previous selection process, after
which the list of admitted participants to the auditions
, will be published on the web page of the Orchestra:
www.rossevilla.com
and in the ROSS notice boards located in the Maestranza
Theater.
12/
The selection committee will be formed according to the
valid Labour Agreement of the OSSA at the time of the
audition.
13/
The selection committee may, throughout the audition,
ask the candidates to identify themselves, alter the
order of the exercises, interrupt the audition at any
moment or propose a new audition as well as ask any
necessary questions.
14/
The decisions of the selection committee will be
unappealable.
15/
The audition of the candidates which can be held in
phases, some eliminatory and a final phase, will be
based on the specifications mentioned in APPENDIX I.
16/
There will be an accompanying pianist available for the
applicants at the time of the audition.
17/
The candidates should come to the audition with the same
instruments that will be used in the ORCHESTRA in the
case that he/she fills the post.
18/
Tardiness or failure to appear at any of the audition
phases will be understood as an irreversible
resignation.
19/
The musicians chosen have to satisfactorily pass both
medical and psycho-technical tests in order to become
members of the Orchestra.
20/
In the case of the selected persons are coming from
outside of the European Union, or from a country of the
European Union with work accessibility restriction,
their contract will depend on the obtaining of their
residency permit and work permit for Spain in a time
limit of half of the contract period.
In
case of previous possession of the residency and work
permit, the applicants should submit these documents
Seville,
March 2009
APPENDIX I
Candidates will be selected to participate in the next
part, once they have successfully played the previous
one (All parts are eliminatory). Here is the list of
works:
2nd BASSOON/CONTRABASSOON
FIRST PART:
Interpretation "behind curtain" of the following
compositions:
- W.A. Mozart: Concerto for Bassoon in B-flat major,
KV 186e (191) (Complete without cadezas)
- 2nd Bassoon solos:
- M. Ravel: Piano concerto in G major (pag.
22)
- H. Berlioz: Fantastic Symphony Op. 14
(pag. 7,8 y 9)
- G. Bizet: Carmen (3rd Act) 1st and 2nd
bassoon parts (pag. 10)
- J. Brahms: Variations – 2nd bassoon parts (pag.
11 y 12)
- J. Brahms: Violin concerto Op. 77 (pag. 12)
- W.A. Mozart: Figaro´s wedding (pag.16)
All
these excerpts can be found in the book “Orchester
Probespiel” Fagott / Kontrafagott . Peters´ Edition.
SECOND
PART:
Reading
from the following orchestra repertory:
-
All the following excerpts are referred to the
contrabassoon part.
-
L.v. Beethoven: 5th Symphony (pag. 41)
- J. Brahms: 1st Symphony (pag. 43 y 44)
- J. Brahms: 3rd Symphony (pag. 44 y 45)
- M. Ravel: "Ma mère l´oye" (pag. 45)
- M. Ravel: Piano concerto for left hand in D
major (pag. 46)
- R. Strauss: Salome (pag. 46)
- G. Verdi: Don Carlo (pag. 47)
All
these excerpts can be found in the book “Orchester
Probespiel” Fagott / Kontrafagott . Peters´ Edition.
THIRD PART:
Sight-reading of one or more Works or excerpts proposed
by the selection committee.
PLEASE TAKE NOTE:
*The tuning will be at 442 hz.
*Auditions will follow an alphabetic order. A draw among
the letters of the alphabet will determine the surname
of the candidate who will make the first performance.
*Copies
of the scores of the above mentioned works will not be
provided by the Orchestra. |
